AMERICA DEL SUR – ROBERT TORSKE (Quinde fotos) https://roberttorske.mediatica4u.com portfolio Tue, 05 Jan 2021 16:16:49 +0000 es hourly 1 https://wordpress.org/?v=5.4.15 SACANDO AGUA DEL POZO https://roberttorske.mediatica4u.com/portfolio/sacando-agua-del-pozo-2/ Sat, 24 Oct 2020 17:49:23 +0000 https://roberttorske.mediatica4u.com/?post_type=uxbarn_portfolio&p=262 ‘DRAWING WATER FROM THE WELL’©, 1972: B&W Analogue, Honenau, Paraguay. A young boy of German descent using his muscles. Analogue: TRI-X 400, Nikkormatt/24mm, Original Image – 1973

‘SACANDO AGUA DEL POZO’©, 1972: Hoenau, Paraguay.
Un niño de descendencia alemán usando sus músculos. Analogue: TRI-X 400, Nikkormatt/24mm, Original Image – 1973

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LAVAPLATOS https://roberttorske.mediatica4u.com/portfolio/lavaplatos/ Sat, 24 Oct 2020 17:48:32 +0000 https://roberttorske.mediatica4u.com/?post_type=uxbarn_portfolio&p=259 ‘LAVAPLATOS, SACRED RIVER’©, 1986. B&W Analogue. Part of the enormous complex of the San Agustín ruins in southern Columbia. The Indian group which did this 500 B.C. must have diverted the river before they were able to do their wonderful carvings. Analogue: TRI-X 400, Nikkormatt/24mm, Original Image – 1973

‘LAVAPLATOS’©, 1986: Parte del complejo de ruinas en San Agustín, Colombia. Ni se conoce cual grupo de indígenas hizo tantas esculturas impresionantes, pero calculan como 500 años B.C. Analogue: TRI-X 400, Nikkormatt/24mm, Original Image – 1973

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FOTOGRAFO DEL PARQUE https://roberttorske.mediatica4u.com/portfolio/fotografo-del-parque/ Sat, 24 Oct 2020 17:47:43 +0000 https://roberttorske.mediatica4u.com/?post_type=uxbarn_portfolio&p=256 ‘THE PARK PHOTOGRAPHER’©, 1972: A popular photographer in a Santiago park who developed the portraits of his clients on the spot. Because of this his face & hand are full of boils caused by the chemicals he used. The photograph was taken only months before the military coup which violently ended the government of Salvador Allende. Analogue, Nikkormatt/24MM; TRI-X 400, Original Image – 1972

‘FOTÓGRAFO DEL PARQUE’©, 1972: Un fotógrafo popular en un parque del Santiago antes del golpe de estado contra Salvador Allende y su gobierno. B&W Análoga.
Analogue, Nikkormatt/24MM; TRI-X 400, Original Image – 1972

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EL GALLO Y LAS CHOLITAS https://roberttorske.mediatica4u.com/portfolio/el-gallo-y-las-cholitas-2/ Sat, 24 Oct 2020 17:44:16 +0000 https://roberttorske.mediatica4u.com/?post_type=uxbarn_portfolio&p=253 ‘THE ROOSTER AND CHOLITAS’©, 1972: B&W Analogue, Bolivia. Common transportation in the ‘70’s was in the back of a truck with the load & the animals, in this case, a rooster.Analogue: TRI-X 400, Nikkormatt, 24MM; Original Image – 1973. Analogue, Nikkormatt/24MM; TRI-X 400, Original Image – 1972

‘EL GALLO Y LAS CHOLITAS’©, 1972: B&W Análoga, Bolivia. El modo de transporte en los años ’70 era en el cajón de los camiones, con la carga y los animales, en este caso, un gallo. Analogue: TRI-X 400, Nikkormatt, 24MM; Original Image – 1973
Analogue, Nikkormatt/24MM; TRI-X 400, Original Image – 1972

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EL ABISMO https://roberttorske.mediatica4u.com/portfolio/el-abismo-2/ Sat, 24 Oct 2020 17:43:03 +0000 https://roberttorske.mediatica4u.com/?post_type=uxbarn_portfolio&p=250 ‘EL ABISMO’©, 2001: B&W analogue, El Paují, Venzuela. Tepuí from where the Amazon Jungle spreads out as far as the horizon and beyond. AEl Pauji; T-MAX 400 SOT AT 200ASA, Hasselblad/50MM; El Abismo; Tepui

‘EL ABISMO’©, 2001: B&W Análoga, El Paují, Venezuela, Tepuí desde donde se ve la Amazonia hasta el horizonte. AEl Pauji; T-MAX 400 SOT AT 200ASA, Hasselblad/50MM; El Abismo; Tepui

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